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Dada began in Zurich, Switzerland in 1916, and was the first anti-art
movement in history. It employed tactics of shock, irony, protest,
absurdity and violence. It was a revolt against Expressionism, which,
though influenced by it, Heartfield saw as self-indulgent, claiming
that it had lost its original importance as a result of the new
political situation (inc. the Russian revolution of 1917). [1]
David Evans in The Grove Dictionary of Art defines it
as a "Technique by which a composite photographic image is
formed by combining images from separate photographic sources".
Meanwhile Sergey Tretyakov remarks "It is important to note
that a photomontage need not necessarily be a montage of photos.
No: it can be photo and text, photo and color, photo and drawing".
[5]
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